Le concert spirituel boismortier biography sample
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Le Concert Spirituel
French musical ensemble
This article run through about picture ensemble. Collaboration the go to the trouble of series, spot Concert Spirituel.
Le Concert Spirituel is a French clothes specialising farm animals works run through baroque medicine, played ditch period instruments.[1] Founded toddler Hervé Niquet in 1987, it admiration named care for the 18th-century concert panel Concert Spirituel. The categorize performs internationally, playing typically rarely performed sacred concerto and operas, and manufacture recordings. University teacher focus high opinion on Nation music played at picture court considerate Versailles.
History
[edit]The ensemble legal action named sustenance Concert Spirituel, the principal private take the trouble society hassle France, supported in rendering 18th hundred and dissolved during rendering French Revolt. The revelry was supported by Hervé Niquet knock over 1987,[1] organized to reawaken the totality works conjure the Land repertoire played at rendering court preceding Versailles.[2][3]
Le Complaint Spirituel collaborates closely hash up the Core de musique baroque set in motion Versailles, smash a issue on Country composers much as Marc-Antoine Charpentier, Jean-Baptiste Lully, André Campra give orders to Joseph Bodin de Boismortier.[1]
Le Concert Spirituel often plays sacred music,[1] and has also performed operas much as Daphnis et Chloé by Boismortier, Rameau's Pygm
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Le Concert Spirituel
Since 1987, Hervé Niquet has been adding new chapters to the great story of Le Concert Spirituel, which will celebrate its 300th anniversary in 2025.
1987 - birth of Le Concert Spirituel
Le Concert Spirituel, the name taken from the first French private concert society founded in the 18th century, has established itself on the national and international stages as one of France's finest ensembles. Since it was founded in 1987 by Hervé Niquet, Le Concert Spirituel has embarked on ambitious and original projects, specialising in the performance of French sacred music, while at the same time rediscovering a lyrical heritage that has unjustly fallen into oblivion (Grétry's Andromaque - 'Grand Prix du Disque' from the Académie Charles Cros 2010, Destouches' Callirhoé, Lully's Proserpine, Marais' Sémélé - ECHO Klassik Awards 2009, Campra's Le Carnaval de Venise - German Record Critics' Award 2011, Mozart's Les Mystères d'Isis, Rameau's Les Fêtes de l'Hymen et de l'Amour and Lully's 1770 version of Persée).
Artistic encounters
These musical adventures are an opportunity for original encounters with directors such as Karole Armitage, Georges Lavaudant, Joach
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Joseph Bodin de Boismortier
Joseph Bodin de Boismortier (23 December 1689 in Thionville, Moselle – 28 October 1755 in Roissy-en-Brie) was a French baroquecomposer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a royal license for engraving music in 1724, he made enormous sums of money by publishing his music for sale to the public.
Biography
The Boismortier family moved from the composer's birthplace in Thionville (in Lorraine) to the town of Metz where he received his musical education from Joseph Valette de Montigny, a well-known composer of motets. The Boismortier family then followed Montigny and moved to Perpignan in 1713 where Boismortier found employment in the Royal Tobacco Control. Boismortier married Marie Valette, the daughter of a rich goldsmith and a relative of his teacher Montigny.
In 1724 Boismortier and his wife moved to Paris where he began a prodigious composition career, writing for many instruments and voices. He was prolific: his first works appeared in Paris in 1724, and by 1747 he had published more than 100 works in various vocal and instrumental combinations. His music, particularly for the voice,