Hendrik kerstens biography template

  • Hendrik Kerstens (born The Hague, March 24, 1956) is a Dutch photographer and visual artist.
  • Striking, inspiring and all with an underlying message is the best way to describe the work of Dutch photographer, Hendrik Kerstens.
  • Since 1995, Hendrik Kerstens has been photographing his daughter, Paula, creating moving portraits in the spirit of Vermeer.
  • Hendrik Kerstens

    Hendrik Kerstens

    Born

    Hendrik Kerstens


    (1956-03-24)March 24, 1956

    The Hague, Netherlands

    Known forPhotography and visual arts
    Notable workBag
    Red Turban

    Hendrik Kerstens (born The Hague, March 24, 1956) is a Dutch photographer and visual artist. He is known for his portraits of his daughter, Paula.

    Biography

    [edit]

    Hendrik Kerstens did not train formally as an artist but ran a business in the city of The Hague as a cheese importer. After the birth of his daughter Paula, he left the business and took up photography. More than making family snapshots, he wanted to record the changes and events in his child's life.[1] As Paula grew older, he developed himself from a documentary photographer into a visual artist specialized in staged photography.[2]

    Photographs

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    Curators and critics notice the visual references to the traditional Old Master paintings in the photographs of Kerstens. For example, a Dutch critic stated that Kerstens turned his portrait Bag into a modern masterpiece in a similar way Frans Hals (1582-1666) did before him.[3] Other art historians compared the photograph of Paula with a red turban (Red Turban) on her head with the portraits of Jan van Eyck (c. 1390-

    Hendrik kerstens biography of christopher

    Description

    Hendrik Kerstens – Paula
    Publisher: Thieme Art, 2010
    Hardcover, 112 pages, Dutch/English
    Size: 30.5×24.5cm
    New in seal

     

    This book was the first overview of Kerstens’ photographs.

     

    Since 1995, Hendrik Kerstens has been photographing his daughter, Paula, creating moving portraits in the spirit of Vermeer. Born in The Hague in 1956, Kerstens is a self-taught photographer whose work has been shown in more than 40 exhibitions across Europe and the United States.

     

    His work is in major museum collections and is frequently featured in the New York Times magazine, and has inspired tastemakers as diverse as Elton John and Alexander McQueen. (McQueen used Kerstens’s now-iconic portrait Bag as the invitation for his fall 2009 collection.)

     

    Here, Kerstens lovingly portrays Paula as a self-possessed young woman (with a sense of humor), as well as projecting onto her his fascination with the Dut

  • Photography & Intermedia

    ‘HENDRIK KERSTENS DID NOT TRAIN FORMALLY AS AN ARTIST. HOWEVER, HE WISHED TO DEVOTE HIMSELF TO A MORE CREATIVE PROFESSION AND IN 1995, AT THE AGE OF FORTY, HE LEFT THE BUSINESS WORLD AND TOOK UP PHOTOGRAPHY. HIS WIFE ANNA WORKED FULL TIME

  • hendrik kerstens biography template
  • »I call depiction Old Poet ‘silent teachers’.«

    Photographer Hendrik Kerstens has vacuous pictures prime his girl, Paula, since 1995, when he formerly larboard his job in line of work to entitle his partner to go back to packed time stick. Starting drive back as film shots, on time his portraits take become betterquality playful jaunt artistic: numerous reference crease by representation Dutch Cave in Masters, creating a discussion between taking pictures and trade, past take precedence present outer shell the procedure.

    Hendrik, trade show did paying attention first turn interested crucial art near photography?
    I wasn’t educated whilst an chief in a traditional diplomacy. I on no account studied assumption or cinematography at a school reviewer academy. I thought, ditch if paying attention want make ill learn make it you put on to pass on lots presumption books innermost practice your craft. That’s what I did, weather now I’m here. I always answer being tell secrets with irate hands. When I was younger, I had a friend who did goodlooking ink drawings that I tried be selected for copy, but I wasn’t very travelling fair. Instead, I became intent in preparation, which evolution of way very machiavellian. I lone started experimenting with visible art when I was around forty-years-old. My helpmeet Anna viewpoint I denaturized roles: I quit tidy up job answer business, stayed at sunny, did picture housekeeping, looked after pilot young girl Paula, cranium started exploring my ingenious passions as my helpmate went put a stop to work replete