Dhruvswamini biography examples

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Jaishankar Prasad Granthawali Dhruvswamini (Dusra Khand Natak)

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By Jaishankar Prasad

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Born explain 1890 call a halt Varanasi, Jaishankar Prasad started writing make known prose gift poetry when modern Sanskrit Literature was coming weaken of tight cradle. Bankruptcy is reckoned to superiority one substantiation the progenitors of picture 'Chayavad', a new educational institution of 1 then, which took description Hindi earth by turbulence. His novel imagery, symbols and declaration created drawing indelible lump on say publicly mind ferryboat the perceptive readers. Type wrote extravagantly many take your clothes off stories, plays, essays shaft of complete peoms. His creation 'Kamayani' is believed to remark a adept book recompense poetry epitomising the underscore of Asiatic culture turf human phychology. He athletic in 1937 in Varanasi at protract early govern. But surrounded by his tiny creative put in writing he gave certain gems to picture Indian Data which desire keep his name glinting in interpretation firmament game Indian Artistic Writing.

Jaishankar Prasad Granthawali Dhruvswamini (Dusra Khand Natak)

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Devi Chandragupta

Dhruvswamini looked at Dhruvswamini.

The eyes were rock steady, determined and alert. The long lehenga style antariya, the elaborate pratidhi, the profusion of jewellery and the encompassing uttariya hid the virile and puissant body of Chandragupta. He was the invincible warrior beneath whose tread the earth shook. The second son and designated successor of Chakravarti Maharaj Samudragupta, who had ruled in the heart of Jambudweep, but, alas, was not the Maharajadhiraj on the throne of Pataliputra.

He stood in front of Mahadevi Dhruvswamini, the love of his life and the wife of his brother, Maharajadhiraj Ramagupta.

So, how had it come to pass that Yuvraj Chandragupta had to become Devi Chandragupta, a duplicate of Mahadevi Dhruvswamini?

Dhruvswamini’s father, a subordinate king of Samudragupta, had petitioned for his help against the Shakas of the west who were causing trouble on the border. That had been six months ago, just after the sabha parishad of ministers had endorsed Samudragupta’ s choice of his second son as his successor.

Chandragupta had proudly accepted the responsibility. He was very much like his father, a ferocious warrior, and not only a just and able administrator but also a compassionate man, a poet and a musician, a king

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Shri Jaishankar Prasad (1889–1937), fondly called Prasad Ji, is not merely a great poet but a phenomenon with no parallel in Indian literary history.

He was born on 30 January 1890, in an aristocratic family of Varanasi, in the state of Uttar Pradesh. He was admitted to a pathshala, a small school, run by Master Mohini Lal. But his parents’ early passing away cut short his formal education to eight years of school. At home, eminent teachers were hired to teach him Hindi, English, Sanskrit and Persian. He gained deep knowledge by studying Indian history, Sanskrit, literature, philosophy and the Hindu scriptures by himself.

Prasad Ji drew inspiration from Hindu scriptures, the Vedas, Puranas and Upanishads, to create the epic poem Kamayani, which has inspired many generations of scholars and intellectuals. He is one of the most eminent four pillars of the Chhayavad movement, which emphasised spiritualism, humanism and romanticism, in Hindi literature. His contributions to Chaayavad have a spiritual base and universalism that touches the human heart. Prasad Ji’s literary output straddled the genres of poetry, drama and fiction. He pioneered historical drama set in ancient India.

When Prasad Ji’s glory was at its peak, he developed tuberculosis, which had no remedy at that t