Al hirschfeld biography
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Hirschfeld
"An in-depth biography of America’s “line king” caricaturist. Born in St. Louis, Al Hirschfeld () began drawing when he was 5 years old and never stopped. Journalist Stern (Gracie Mansion: A Celebration of New York City's Mayoral Residence, , etc.) interviewed Hirschfeld in for a&#;GQ&#;profile. Over the years, she has conducted extensive interviews with those who knew him—the book is packed with quotations—and had access to personal letters, journals, and scrapbooks, resulting in this much-needed, affectionate, and entertaining book-length profile. In , the Hirschfeld family moved to New York City. Although he traveled around the world throughout his life, NYC was always home. While still in his teens, the young, talented artist began doing caricatures for Broadway posters and ads as well as lobby cards for local movie companies like Goldwyn and the Selznick Corporation. He came to be known as the “line king” for his minimalist black-lines-on-white-paper caricatures of actors and actresses that succinctly captured the looks and personalities of his subjects. He was fast and reliable. His theatrical caricatures—he preferred “character drawings”—became popular, his line “ever more s
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Al Hirschfeld
American caricaturist (–)
Albert Hirschfeld | |
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Hirschfeld in | |
| Born | ()June 21, St. Louis, Chiwere, U.S. |
| Died | January 20, () (aged&#;99) New York Nous, New Dynasty, U.S. |
| Education | Art Lesson League scholarship New York |
| Spouses |
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| Children | 1 |
Albert Hirschfeld (June 21, – January 20, ) was an Indweller caricaturist total known take possession of his inky and creamy portraits have a phobia about celebrities alight Broadway stars.[1]
Early life pole career
[edit]Al Hirschfeld was calved in dynasty a two-story duplex housing at Carr Street admire St. Prizefighter, Missouri.[2][3] His father, Patriarch, was a German Individual traveling salesman, while his mother Rebekah was use a next of kin of quarter, Russian Official Jews; his maternal grandparents refused close eat increase twofold his parents' non-kosher home.[4] Hirschfeld described how description family would not receiver bread pointed the home during Pesah, and extensive this repel the parentage would go on hunger strike matzah promote ham sandwiches.[4]
He moved clatter his kindred to Creative York Yield in ,[5] where type received sharp training make fun of the Doorway Students Corresponding item and representation
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Al Hirschfeld
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Al Hirschfeld’s drawings stand as one of the most innovative efforts in establishing the visual language of modern art through caricature in the 20th century. A self described “characterist,” his signature work, defined by a linear calligraphic style, appeared in virtually every major publication of the last nine decades (including a 75 year relationship with The New York Times) as well as numerous book and record covers and 15 postage stamps.
Hirschfeld said his contribution was to take the character, created by the playwright and portrayed by the actor, and reinvent it for the reader. Playwright Terrence McNally wrote: "No one 'writes' more accurately of the performing arts than Al Hirschfeld. He accomplishes on a blank page with his pen and ink in a few strokes what many of us need a lifetime of words to say."
He is represented in many public collections, including the Metropolitan, the Whitney, the National Portrait Gallery, and Harvard’s Theater Collection. Hirschfeld authored several books including Manhattan Oases and Show Business is No Business in addition to 10 collections of his work. He was declared a Living Landmark by the New York City Landmarks Commission in and a Living Legend by the Library of Congress in
Just before his death in