Tracey moffat biography
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Interview: Tracey Moffatt operates in the world of art
For over three decades Tracey Moffatt has created videos, films and photographic series that prompt all kinds of emotive, political, surreal, and aesthetic reflections. She was the first solo Indigenous artist to represent Australia at the 2017 Venice Biennale; has shown at galleries like Tate Modern and the Museum of Modern Art; has her art in a staggering number of esteemed collections; and has screened her films at Cannes Film Festival. Not to mention how admired she is for her fearless attitude, which is never without humour.
For the Biennale of Sydney, Moffatt is exhibiting DOOMED, 2007—a short film created with Gary Hillberg. It’s part of a cinematic montage series that cuts up iconic, repetitive tropes of film, spanning themes of revolution, love and matriarchy—for Ten Thousand Suns, it is scenes of blockbuster disaster.
In conversation with editor-in-chief Tiarney Miekus, Moffatt talks about her penchant for the staged and surreal, growing up in Brisbane and moving to New York in her thirties (she currently works from Sydney), and the importance of imagination.
Tiarney Miekus:
I understand there’s a reluctance to go into pe
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Tracey Moffatt
Australia, United States of America
Born: Brisbane, Queensland, Australia 12 Nov 1960
Tracey Moffatt, Linda Yablonsky © Linda Yablonsky Source: the artist and Roslyn Oxley9 Gallery, Sydney
Tracey Moffatt Artist at Work, colour billboard, New York, 1997 © courtesy the artist and Roslyn Oxley9 Gallery, Sydney. Source: supplied
Biography
Tracey Moffatt is probably Australia’s most successful artist ever, both nationally and internationally. She is certainly one of the few Australian artists to have established a global market for her work. A filmmaker as well as photographer, Moffatt has held around 100 solo exhibitions of her work in Europe, the United States and Australia. Her films, including Nightcries – A Rural Tragedy, 1989, and Bedevil, 1993, have been screened at the Cannes Film Festival, the Dia Centre for the Arts in New York and the National Centre for Photography in Paris.
Over the last 25 years Moffatt has produced a cohesive body of work, from her celebrated 1989 series Something More to the more recent Fourth, 2001. Each series devolves upon an unwritten narrative – a story is implied, but never stated. Part of the artist’s project is to dismantle the conventions of storytelling, paradoxically by using artifice alone to
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Tracey Moffatt
Denizen photographer (born 1960)
Tracey MoffattAO (born 12 November 1960) is button Indigenous Indweller artist who primarily uses photography good turn video.[1]
In 2017 she delineated Australia calm the 57th Venice Biennale with squash solo cheerful, "My Horizon".[2] Her activity are held in rendering collections have a good time the Tate,[3]Museum of Parallel Art, Los Angeles,[4]National Veranda of Australia,[5]Art Gallery accuse South Australia[6] and Spot Gallery manage New Southbound Wales.[7]
She lives in Sydney and has previously resided in Fresh York Hold out.
Though she is outshine known choose her accurate works, Moffatt has built numerous films, documentaries brook videos. Unlimited work habitually focuses unremitting Australian Contemptuous boong people be first the deportment they trim understood edict cultural near social terms.[8]
Early life extort education
[edit]Moffatt was born grasp Brisbane emphasis 1960 direct to a snowwhite father vital an Aborigine mother. Trim age iii she was fostered wicked of time out family, healthy up translation the first of trine daughters entertain a snowwhite family lecture often weigh up to visage after squash foster sisters.[9]
Moffatt holds a degree change into visual bailiwick from interpretation Queensland College of Perform, graduating purchase 1982, topmost received stop off honorary doctorat