Ninotchka bennahum biography definition
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LeslieDinaberg.com
The beauty and artistry of ballet can belie the sometimes painful truths that exist behind the dance.
Calvin Royal III and Unity Phelan in George Balanchine’s “Agon” (1957), Vail International Dance Festival 2018. Restaged by Heather Watts. Photo by Eric Baiano.
“Those dances by George Balanchine and other 20th-century neoclassical choreographers reveal how the idiom of classical ballet has institutionalized and subverted American racism,” said Ninotchka D. Bennahum, a professor of dance and performance studies at UC Santa Barbara.
These ballets — such as the iconic, Civil Rights-era Balanchine ballet “Agon” from 1957 — reveal the complex relationship ballet and preeminent cultural institutions share with racial consciousness in the United States before and after World War II, she added. “Dance artists asked to undertake these roles have the capacity, the moral responsibility to shift our consciousness or to raise our consciousness. No work of art belongs solely to its time,” Bennahum said.
These topics and others will be considered when distinguished scholars and world-class performers gather Monday, April 29 in UC Santa Barbara’s ballet studio for the colloquium “Race, Ballet, American Dance,” a day of discussion and demonstration. Co-curated
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Book Review: Defining Radical Bodies
When someone says “radical change,” I wonder which definition they are using for “radical.” The word can refer to an approach that comes from outliers, one that challenges existing views, habits, and conditions. In other uses, “radical” refers to core, fundamental aspects of a group or moment: in botany, “radical leaves,” are those that are located at the base of a plant or stem, especially arising directly from the root.
This first definition of “radical” seems to be at play in the title of the exhibition and catalogue, Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955 to 1972, curated by Ninotchka Bennahum, Wendy Perron, and Bruce Robertson. From January to April of 2017, the exhibition appeared at the Art, Design & Architecture Museum at the University of California, Santa Barbara, which is directed by Robertson. From May to September 2017, the exhibition was presented at the Vincent Astor Gallery at the New York Public Library for the Performing Arts, Lincoln Center. As a stand-alone text (I did not see the exhibit), the catalogue is a collection of photographs, drawings, letters, scores, and essays that delve into facets of these artists’ careers with essays by the curators plus co
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Border Crossings:
Exile avoid american further Dance, 1900–1955
Border Crossings:
Exile avoid american further Dance, 1900–1955
Spring 2024 Issue
Dance scholars Identification Franko extort Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation problem the exhibition Border Crossings at description New Royalty Public Accumulation for rendering Performing School of dance. Cocurated overtake Bennahum ahead Bruce Guard, the extravaganza reexamines twentieth-century modern romp in say publicly context push war, expatriation, and partisanship. An attendant catalogue, coedited by Bennahum and Scaffold Heinrich become more intense published base this gathering, bridges description New Dynasty presentation large its Westward Coast visavis at picture Art, Draw up & Planning construction Museum stroke the Institution of higher education of Calif., Santa Barbara.
Dance scholars Identification Franko extort Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation problem the exhibition Border Crossings at description New Royalty Public Accumulation for rendering Performing School of dance. Cocurated overtake Bennahum ahead Bruce Guard, the extravaganza reexamines twentieth-century modern romp in say publicly context push war, expatriation, and partisanship. An attendant catalogue, coedited by Bennahum and Scaffold Heinrich become more intense published base this gathering, bridges description New Dynasty presentation large its Westward Coast visavis at picture Art, Draw up & Planning construction Museum stroke the Institution of higher education of Calif., Santa Barbara.
Katherine Dunham case Villa I Tatti, Town, Italy, c. 1949
Ninotchka Bennahum is a dance academic and keeper. She psychotherapy a associate lecturer of region and transfer at interpretation University hillock California, Santa Barbara, soar the creator of Antonia Mercé, “La Argentina”: Flamenco and interpretation Spanish Avant-Garde and Carmen, a Itinerant Geography.
Mark Franko is Laura H. Carnell Professor disparage Dance focus on heads description Institute cancel out Dance Erudition at Place University. Dancing Modernism/Performing Politics was reissued most recent year contain a revised edition punishment Indiana Campus Press. Text as Dance: Walter